Congratulations to Simon Christen on 1.7 million views and 16k+ likes for his gorgeous time-lapse "Adrift."
Whether or not you've also spent countless hours alone on mountain tops trying to get a great shot, you'll appreciate the lengths he went to in order to get this amazing footage. On Adrift's vimeo page Simon writes: The weather conditions have to be just right for the fog to glide over the hills and under the bridge. I developed a system for trying to guess when to make the drive out to shoot, which involved checking the weather forecast, satellite images and webcams multiple times a day. For about 2 years, if the weather looked promising, I would set my alarm to 5am, recheck the webcams, and then set off on the 45-minute drive to the Marin Headlands.
Simon is one of many cinematographers who use GBDeflicker in post-production workflow. He wrote to us recently: The post processing on Adrift was extremely time consuming and I used a
lot of different tools to get to the final product. In one of my last
stages I used GBDeflicker to take care of the last little flicker fixes.
I have found it to work really well.
Here a link to Adrift on Vimeo. We look forward to seeing what Simon does next!
Send us your stories and videos - we're always looking for awesome work to feature.
Monday, November 11, 2013
Sunday, November 10, 2013
Golden light in "Midnight Sun" by Joe Capra
For "Midnight Sun", Joe Capra traveled around Iceland shooting time-lapse for an arduous 17 days - which from his description didn't involve much sleep - and in the process captured over 38,000 images. The work has beautiful sequences of the arctic summer's golden light. We're excited to see that "Midnight Sun" is a Vimeo Staff Pick and has passed 2 million views. For another project, Joe shot time-lapse on location in Rio for a major electronics manufacturer. A compilation video from his trip titled "Rio" features spectacular time-lapse of the cityscape.
Joe uses GBDeflicker in his post-production workflow. According to Joe, "I use GBDeflicker on everything! Well, not EVERY shot, but I have used it on everything I have shot that needed de-flickering. It was used on shots in Midnight Sun and also my new Rio video. It is definitely a must have tool for any time-lapse shooter."
Send us your stories and videos - we're always looking for awesome work to feature.
Joe uses GBDeflicker in his post-production workflow. According to Joe, "I use GBDeflicker on everything! Well, not EVERY shot, but I have used it on everything I have shot that needed de-flickering. It was used on shots in Midnight Sun and also my new Rio video. It is definitely a must have tool for any time-lapse shooter."
Send us your stories and videos - we're always looking for awesome work to feature.
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